Hans Skjervheim was one of the most influential philosophers of social science in the Scandinavian countries during the twentieth century. This paper contributes to the understanding of one of his central meta-scientific distinctions – between the participant and the spectator – by relating him to surprisingly similar distinctions found in the works of Max Scheler. It is well-known that Skjervheim studied Scheler, but the latter’s direct (and partly unacknowledged) influence on Skjervheim’s central distinction has not been noticed. Through an examination of similarities between Skjervheim and Scheler, an interpretation of Skjervheim is reached, which renders, so the paper additionally argues, some contemporary criticism of his work less valid than might be thought.
Keywords: positivism, philosophy of social science, understanding, hermeneutics, objectivation. A new code of artistic morality grew up in the nineteenth century, according to which plagiarism was a crime. I will not ask how much that had to do, whether as cause or as effect, with the artistic barrenness and mediocrity of the age (though it is obvious, I think, that a man who can be annoyed with another for stealing his ideas must be pretty poor in ideas, as well as much less concerned for the intrinsic value of what ideas he has than for his own reputation); I will only say that this fooling about personal property must cease.
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